If you don't want to read the story and just want to see my final image, scroll down the page past the first picture.
In April 2017, I visited Faial for three days to shoot Capelinhos, the volcano at the very end of Europe.
During the last day of my stay, I knew I was going to take the ferry back to Pico before sunset and therefore decided to simply wonder around and scout for future shoots.
Below you see one of the pictures I took of the Baía das Caldeirinhas in harsh, unflattering light.
Bay of Caldeirinhas - snapshot
There were two things I very much liked about Caldeirinhas:
1) The water in the bay was so transparent that I could see the seafloor in its shallows, a characteristic I knew I could greatly enhance by using a polarising filter at sunset. Why at sunset? Because the bay faces South and the sun sets at 90° to it - i.e. West. In case you did not know, you get the maximum effect of glare removal with a polarising filter when the sun is 90° to either side of your lens.
On the other hand, the effect is very small or zero when the sun is right in front or behind you.
2) The Baía das Caldeirinhas is a no-access Marine Protected Area, giving me extra motivation to portrait its beauty through my photography.
I started to plan my sunset shot of Caldeirinhas as soon as I got back to Pico.
Of course, any day with a potential for a nice sunset could have worked. However, I thought it would be a good idea to also try to shoot the Milky Way above the horizon, which requires dark skies (no moon or no much of it, basically).
Due to several factors, such as bad weather, too bright skies and being busy with other things, I only went back to Faial on the 24th July 2017.
The weather forecast looked nice but, as soon as I boarded the ferry from Pico to Faial, it started to rain. The sky cleared during navigation and, when I arrived in Faial, the weather was even too nice: not a single cloud in Caldeirinhas, which was a hit to my hope for a nice sunset shot.
I knew I should not worry too much, though. The weather in the Azores can change so quickly that you should better be quick at complaining about it :-)
Indeed, after a short drive to my location, I found myself again in a light drizzle.
Fortunately, it did not last long and around 8pm I got set up, ready for the golden hour to happen.
I knew already I was going to shoot at 18mm. Since I am an APS-C shooter, it is the full frame equivalent of 27mm. Furthermore, I knew I wanted to shoot lower than in the snapshot above, especially in case I had a nice sky, so that I could include more of it.
Last, but not least, I wanted the water to be very smooth and I therefore planned to use a 6-stop neutral density filter, along with the polariser.
This is the shot I got. Click it to see the picture on my portfolio website:
Baía das Caldeirinhas - final shot
I must say that I am happy with my image.
I shoot this exact scene for almost 4 hours, all the way from before sunset to complete dark. I did that because I knew my final shot was going to be a blend of at least two exposures:
1) A long exposure for everything but the sky, so that I could get very silky waters (6-stop neutral density filter + polarising filter)
2) A second, much shorter shot to expose correctly for the sky (no filters).
There is a time when you first think of a picture you would like to take. At the beginning, it is just in your mind. Then you start planning the shot and, if you are lucky, one day you will capture the image you dreamt about for so long.
When that happens, it is hard for me to describe the feeling of accomplishment and it is definitely the aspect of photography that motivates me the most.
Later on that night I tried to shoot the Milky Way. I knew its Galactic Centre (the brightest part of it) would appear above the horizon from about 11pm. But this is another story...